Persuasive speech , recycling or Presentation Example | Topics and Well Written Essays - 1000 words

Persuasive , recycling - Speech or Presentation Example We take these as simple daily acts of negligence but failing to throw that piece of paper, plastic, glass or metal in the right trash bin for recycling is slowly killing this beautiful earth we call home. Today, I am going to highlight the problem we face when we fail to recycle and contribute to build up of trash on Earth, the benefits of recycling and the steps we can take as individuals and communities to help. Effects of Trash Build-up and Benefits of Recycling Recycling is one of those things we all know we need to do, it is in our to-do list, but we fail to do it as effectively as we have planned, or in some of us, we completely disregard it. However, there are various reasons why we should always remember to recycle that piece of paper or plastic. In case an individual is not been very diligent in making an effort to throw the empty can of soda into the trash, here are the reasons why everybody should begin recycling. First of all, recycling fundamentally reduces global warmin g. Our mother Earth is unfortunately feeling the effects of global warming already and it is our duty as the inhabitants to take whatever initiative possible to cut down or totally eliminate the negative impacts that come with this sad phenomenon. The industrial production of certain materials that we use in our daily lives can release significant amounts of carbon dioxide into the atmosphere. For example, the production of new aluminum, the material used to make the cans for sodas, leads to the production of 92% more carbon dioxide that recycling old aluminum cans (Hieronymi, Ramzy and Eric 94). Now we all know from our chemistry lessons that carbon dioxide is one of the greenhouse gases responsible for global warming and additional release to the atmosphere is a resultant increase in global warming. Recycling also makes us more energy efficient as more energy is usually needed to create something from the raw materials than to recycle it. For instance, producing paper from trees c onsumes sixty four percent more energy than recycling it while burning plastic uses double the energy that would have been consumed if recycled. The energy saved when materials are reprocessed can be applied in other useful areas, for instance, if only one pound of steel is recycled, the energy can be used to power a 60-watt bulb for a whole day. Is it not just intriguing how much we can save by remembering to throw that litter in the right trash bin? Recycling waste also keeps our landfills from overflowing as we are soon running out of space to use for dumping our litter. I believe that none of us here today would wish to see his landfill of trash backyard his balcony. Moreover, studies have shown that 60-70% of garbage in landfills can be recycled which implies that if we became more diligent in recycling, we would be getting rid of 60-70% of the garbage lying in the landfills (Miller and Spoolman 555). We should also not forget that these landfills release toxic gases that are n ot only harmful to us human beings, but also to the ecological life around them. The process also improves the quality of the earth’s groundwater as the garbage deposited in landfills is never treated but just buried. Therefore, any toxic chemicals that could have present in the garbage are allowed to seep into the ground water that are used in other areas as a source of water for daily household usage. Furthermore, runoff rainwater from these

Karl Marx- Manifesto of the Communist Party Essay

Karl Marx- Manifesto of the Communist Party - Essay Example ried on an uninterrupted, now hidden, now open fight, a fight that each time ended, either in a revolutionary constitute of society at large, or in the common ruin of the contending classes† (Marx). Accordingly, Karl Marx viewed societal structures as comprising effectively two components; namely the â€Å"bourgeoisie and the proletariat† in asserting that â€Å"our epoch, the epoch of the bourgeoisie, possesses, however this distinct feature: it has simplified class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other - bourgeoisie and proletariat† (Communist Manifesto, 1848). To this end, the underlying proposition of the Communist Manifesto is that the social class struggle under the capitalist social paradigm, whilst creating oppression of the â€Å"proletarians†, ultimately lends itself to the demise of capitalism through revolution. Indeed, Linklater posits that â€Å"the structure of world capitalism guaranteed the emergence of the first authentically universal class which would liberate species from the consequences of estrangement between states and nations† (In Devetak et al, 2007 66). Moreover, Larson et al refer to the argument that socialists embraced the task of working class mobilisation and that â€Å"the perspectives which socialist theorists can be divided are revolutionary trade union activity and revolutionary transformation of capitalist society (Larson et al, 38). On the one hand, if we consider this in terms of the contemporary socio-economic framework; continuous evolution of social structures and demise of entrenched class barriers would suggest that Marx’s â€Å"bourgeoisie and proletariat† class model may be redundant and therefore should be viewed as solely contextually in terms of the socio-political backdrop influencing Marx’s theory at the time (Bottomore 23). For example, Bottomore highlights that â€Å"changes in working class politics during

Beethovens Musical Form

Beethovens Musical Form Among the musical form these three forms are evident in the works of Ludwig Beethoven. The prelude, overture and sinfonie are among the musical forms which can be seen in the composition of Beethoven. These three forms evolved since the 17th century until now. To identify the similarity of prelude, overture and sinfonie it is best to describe each form. A prelude is a piece of music which is short; it has no particular introduction to succeeding movements of a work that are usually longer and more complex. It features single rhythmic and melodic motif that is used in every measure throughout the piece. Stylistically, the prelude is improvisatory in nature. The prelude can also refer to an overture, particularly to those seen in an opera or an oratorio. Prelude can be referring to as a preface. It can stand on its own or introduce another work. Overture in music is the instrumental introduction to a dramatic, choral (1911encyclopedia.org) or, occasionally, instrumental composition. It is used as an opening to a larger dramatic work such as an opera. Overture also referred to collections of movements, known as suites. (wikipedia.com). A sinfonie is a musical composition, the extended and used for orchestra. It does not imply a specific form. There are sinfonies that are tonal works in four movements with the first in sonata form, and it is often described by music theorists as the structure of a classical (reference.com) sinfonie. Evolution of Prelude The very first preludes were lute compositions of the Renaissance era. They were free improvisations and served as brief introductions to larger pieces of music or particular larger and more complex movements; lutenists also used them to test the instrument or the acoustics of the room before performing. In the 17th century in France the keyboard preludes started. During this century the duration of each note is left to the performer. The first composer who embrace the genre is Louis Couperin, and harpsichord preludes were used until the first half of the 18th century by numerous composers including Jean-Henri d’Anglebert (1629-1691), Élisabeth Jacquet de la Guerre (1665-1729), Franà §ois Couperin (1668-1733) and Jean-Philippe Rameau (1683-1764), whose very first printed piece (1706) was in this form. The last unmeasured preludes for harpsichord date from the 1710s. Prelude in the 17th century in Germany led to a sectional form similar to keyboard toccatas Johann Jakob Fr oberger or Girolamo Frescobaldi. Outside Germany, Abraham van den Kerckhoven (c.1618-c.1701), one of the most important Dutch composers of the period, used this model for some of his preludes. Southern and central German composers did not follow the sectional model and their preludes remained improvisational in character with little or no strict counterpoint. In the second half of 17th century prelude are being paired with figures in the same key. Preludes were also used by some 20th century composers when writing Baroque-inspired suites. Such works include Ravels Le Tombeau de Couperin (1914/17) and Schoenbergs Suite for piano, Op. 25 (1921/23), both of which begin with an introductory prelude. Ludwig van Beethoven wrote two preludes, Op. 39; each one cycles through all of the major keys of the piano. Evolution of Overture Overture was formulated during the 17th century. As a musical form overture begins with the works of J-B Lully (1911encyclopedia.org). He devised the scheme that constitutes the typical French overture up to the time (1911encyclopedia.org) of Johann Sebastian Bach and George Friderich Handel. This French ouverture consists of a slow introduction in a marked dotted rhythm (1911encyclopedia.org), followed by a lively movement in fugato style. The slow introduction was always repeated, and sometimes the quick movement concluded by returning to the slow tempo, (1911encyclopedia.org) usually with new motivic material but occasionally recapitulating the opening, and this combined fast-slow material was sometimes also repeated. The operatic French ouverture was frequently followed by a series of dance tunes before the curtain rose. It thus became used as the prelude to a suite. (1911encyclopedia.org) Bach was able to use the French ouverture form for choruses, and even for the treatment of chorales. Thus the ouverture, properly so called, of his fourth orchestral suite became the first chorus of the church cantata. (1911encyclopedia.org). Evolution of Sinfonie In German, Symphonie was a generic term for spinets and virginals from the late 16th century to the 18th century (Marcuse 1975, 501). In the sense of sounding together the word also appears in the titles of some works by 16th- and 17th-century composers including Giovanni Gabrieli (the Sacrae symphoniae) and Heinrich Schà ¼tz (the Symphoniae sacrae). (reference.com). In the 17th century, for most of the Baroque period, the terms symphony and sinfonia were used for a range of different compositions, including instrumental pieces used in operas, sonatas and concertos—usually part of a larger work. The opera sinfonia, or Italian overture had, by the 18th century, a standard structure of three contrasting movements: fast; slow; fast and dance-like. It is this form that is often considered as the direct forerunner of the orchestral symphony. The terms overture, symphony and sinfonia were widely regarded as interchangeable for much of the 18th century. In 18th century the sinfonie has three movements, in the tempo quick-slow-quick. Symphonies at this time, whether for concert, opera, or church use, were not considered the major works on a program: often, as with concerti, they were divided up between other works, or drawn from suites or overtures. Vocal music was dominant, and symphonies provided preludes, interludes, and postludes. At the time most symphonies were relatively short, lasting between 10 and 20 minutes. Mozart’s early symphonies are in this layout. The early three-movement form was eventually replaced by a four-movement layout which was dominant in the latter part of the 18th century and most of the 19th century. The composition of early symphonies was centred on Vienna and Mannheim. The most important symphonists of the latter part of the 18th century are Joseph Haydn who wrote at .With the rise of established professional orchestras, the symphony assumed a more prominent place in concert life between approximately 1790 and 1820. Ludwig van Beethovens first Academy Concert advertised Christ on the Mount of Olives as the featured work, rather than his performances of two of his symphonies and a piano concerto. Beethoven dramatically expanded the symphony. (reference.com). His Symphony No. 3 (the Eroica), has a scale and emotional range which sets it apart from earlier works. His Symphony No. 9 takes th e unprecedented step of including parts for vocal soloists and choir in the last movement. Beethoven, together with Franz Schubert, replaced the usual genteel minuet with a livelier scherzo. (reference.com). The twentieth century also saw further diversification in the style and content of works which composers labelled as symphonies. Some composers, including, continued to write in the traditional four-movement form, while other composers took different approaches: Jean Sibelius Symphony No. 7, his last, is in one movement. (reference.com). Conclusion Prelude, overture and sinfonie are musical form that has been connected to each other to form a musical composition. Prelude if seen in an opera or an oratorio can be referred to as overture. Symphonies provided prelude. These three forms of music have been used by several musicians. Composer like Beethoven has used the three forms. Understanding the use of each form will enlighten the mind of those who are confused and not familiar in this form. References: See R. Simpson, ed., The Symphony (2 vol., 1972); D. F. Tovey, Essays in Musical Analysis: Symphonies (1935, repr. 1972); R. Nadeau, The Symphony (rev. ed. 1974); H. Chappell, Sounds Magnificent (1986). http://www.reference.com/search?r=13q=Symphony http://en.wikipedia.org/wiki/Overture http://www.webconfs.com/search-engine-spider http://en.wikipedia.org/wiki/Prelude_(music) http://www.1911encyclopedia.org/Overture

Style Analysis of Blog Writings :: Teaching Writing

Style Analysis of Blog Writings What is â€Å"style† in writing? After reading Strunk and White’s The elements of Style and Joseph William’s Style: Toward Clarity and Grace, I have come to understand what style is: I always thought of â€Å"style† as being your own, but through these books I learned that that’s not entirely true. â€Å"Style† is a mixture of many things and individualism only being one part, but for me the most important. Style is a way of writing clear, cohesive, grammatically correct and true to one’s self. White says in the last chapter of Elements of Style â€Å"style in the sense of what is distinguished and distinguishing.†(Strunk and White 66) Good writing is not that hard to achieve, any one can write well. If you write true to yourself it will make your writing better. Williams talks about â€Å"your voice† and so does Strunk and White. White says â€Å"All writers, by the way they use the language, reveal something of their spirits, their habits, their capacities and their biases.† (Srunk and White 67) Williams says â€Å"Writing well, they believe, has to do with being sincere, or writing how they speak, or finding their authentic voices, or just being born with the knack. (Williams 1) Good writing lets us know something about the writer even if it is technical. To be interesting we need some insight into the person’s feelings and thoughts. Writing should be something we enjoy not something that we dread or fear. Most people, students especially, have come to hate writing because they don’t know the â€Å"rules† and are afraid to make mistakes. It seems that people are more concerned with correct grammar then content. It is important to have good grammar, punctuation, and spelling, but what you have to say is the most important. People spend so much time worrying about what their paper looks like, then what it sounds like. Sitting down to write a paper can be intimating and sometimes it is hard to organize our thoughts to put them down on paper. I feel that reading books like Style: Lessons in Clarity and Grace is helpful, but practice is the key to good writing. I had never heard of Blooger.com until I was introduced to it by my English class. I found the blog entries to be a helpful assignment, because the best way to become a good writer is by practice. Style Analysis of Blog Writings :: Teaching Writing Style Analysis of Blog Writings What is â€Å"style† in writing? After reading Strunk and White’s The elements of Style and Joseph William’s Style: Toward Clarity and Grace, I have come to understand what style is: I always thought of â€Å"style† as being your own, but through these books I learned that that’s not entirely true. â€Å"Style† is a mixture of many things and individualism only being one part, but for me the most important. Style is a way of writing clear, cohesive, grammatically correct and true to one’s self. White says in the last chapter of Elements of Style â€Å"style in the sense of what is distinguished and distinguishing.†(Strunk and White 66) Good writing is not that hard to achieve, any one can write well. If you write true to yourself it will make your writing better. Williams talks about â€Å"your voice† and so does Strunk and White. White says â€Å"All writers, by the way they use the language, reveal something of their spirits, their habits, their capacities and their biases.† (Srunk and White 67) Williams says â€Å"Writing well, they believe, has to do with being sincere, or writing how they speak, or finding their authentic voices, or just being born with the knack. (Williams 1) Good writing lets us know something about the writer even if it is technical. To be interesting we need some insight into the person’s feelings and thoughts. Writing should be something we enjoy not something that we dread or fear. Most people, students especially, have come to hate writing because they don’t know the â€Å"rules† and are afraid to make mistakes. It seems that people are more concerned with correct grammar then content. It is important to have good grammar, punctuation, and spelling, but what you have to say is the most important. People spend so much time worrying about what their paper looks like, then what it sounds like. Sitting down to write a paper can be intimating and sometimes it is hard to organize our thoughts to put them down on paper. I feel that reading books like Style: Lessons in Clarity and Grace is helpful, but practice is the key to good writing. I had never heard of Blooger.com until I was introduced to it by my English class. I found the blog entries to be a helpful assignment, because the best way to become a good writer is by practice.

Dietrich Bonhoeffer

Dietrich Bonhoeffer was executed in a German prison camp in April 1945, aged only 39 and at a time when the war was almost over. He is generally considered to be a martyr, dying because of his tremendous Christian faith. His life however started out as the youngest son in a large, happy and wealthy family. Although his father was an agnostic Bonhoeffer entered the Lutheran ministry, unlike his brothers who preferred more well paid carers in law and research. With Hitler’s rise to power his church was not prepared to make any stand against him.The seminary, of which he was head, was forced to move underground. At this period he wrote ‘The Cost of Discipleship’ in which he asks the questions ‘How do I live a Christian life in the world? What does it mean to be a disciple of Jesus Christ? ’ From that time he became politically active against Hitler, even travelling to America in order to gain support. He soon returns because of his belief that if he is t o take an active role in post-war Germany he must also share the difficulties with his people.He moves from the pacifism of figures such as Mahatma Ghandi, whom he had hope to visit one day to direct action, even taking part in an assassination plot. In 1943, soon after his engagement he is imprisoned. His letters from prison are positive in their nature. Two years later he is moved, first to the concentration camp at Buchenwald, and then to Flossenburg. There he asks to conduct a service for the other prisoners – his texts are Isaiah 53 v 5 which speaks of being healed by Christ, and 1 Peter 1 v 3 which talks of the hope of resurrection. That same day he is taken to his death and to eternal life.

Houstons Land Use Policy Essay

Houston is a large city with very unique qualities that most cities cannot even begin to understand, but is this just Houstonian pride talking? No, actually one of the unique qualities that Houston has is how we handle our land use planning. Houston is well known for not having any zoning ordinances, which has become a well-known topic for a while now. People argue weather our lack of zoning is chaotic, unorthodox, or independent and distinct. Another unique quality that we have is where our political culture stands. Dr. Elazar’s â€Å"Individualistic – Traditionalistic† study of political culture talks about three categories moralistic, individualistic, and traditionalistic, which entails what category Texas falls in and why. This study of Political culture can help relate to reasons why Houston lacks at land use planning and whether it is for the best or worse. The land use planning in Houston is different from other cities because we don’t have zoning o rdinance, meaning that we can have for example â€Å"the fanciest restaurant in town right next to a tattoo parlor†¦Ã¢â‚¬  ,UH of Architecture Dean Patricia Oliver. Other cities have a different system that involves color-coded maps that let people know where and what they can and can’t have in those properties. Cities that have regulations do it because they believe that if the government doesn’t tell them what to do with the land it would be chaotic. Houston, on the other hand thinks that property owners decide what works best for their property not the government. Even though everything seems unrestricted in Houston we do have a form of organizing certain areas like neighborhoods with â€Å"deed restrictions† where owners voluntarily agree to certain restrictions when they buy property. We also have â€Å"property rights† which means that one the government cannot tell you what to do with your land. Due to the system that Houston uses to administer the land use, most housing becomes affordable an example is also the way Houston evaded the real estate bubble. The broader picture to Houston is that it comes from the biggest state in the U.S, Texas. Texas has a vast amount of people and within these people there  are different types of mindsets but there are also similar ones things like this are what describe are Political culture which the book, Texas Politics 12th edition, defines it as a shared system of values, beliefs and habits of behavior with regard about politics. Dr. Elazar describes political culture as everyone being impacted by the beliefs and values of the dominant groups in society; these groups can range in between three categories of political culture moralistic, Individualistic, and traditionalistic. According to the book, moralistic political culture is when citizens understand the state and the nation as commonwealths designed to further the shared interest of everyone. In Individualistic political culture, citizens understand the state and the nation as marketplaces in which people strive to better their personal welfare, citizen participation is encouraged. In Traditionalistic political culture, citizens technically believe in democracy, but emphasize respect to elite rule within a hierarchal society and citizen participation is not encouraged. Texas stands right in between Individualistic and Traditionalistic in the scale of political culture. Texas is a midpoint between individualistic and traditionalistic; some people think that there is a correlation between the zoning and the political culture in Houston, Texas. Research has shown that the state has a very strong business oriented perspective which means they’re more open to the ideas of the public, Individualistic. This explains how in Houston we don’t have the government tell us where we can do with our property we can put any business where we please. The traditionalistic culture in Texas comes from the way the elite groups are the ones that rule, this idea is active through the projection of restriction with â€Å"deed restrictions† and â€Å"Property rights† where the majority choose what they want or only approve of government activity if they favor to their likings. The land use planning in Houston is unique compared to other cities in the U.S. We have no zoning restrictions meaning we chose where we want are properties and what we do with them. The only exception is when the majority of people make a decision on what can happen on a certain area like a neighborhood. The political culture of Texas, which is in between individualistic and traditionalistic and it is portrayed in the land use planning in Houston. Citations Newell, Charldean, David F. Prindle, and James W. Riddlesperger. â€Å"Texas Political Culture.†Texas Politics. N.p.: n.p., n.d. N. pag. Print. Teas, Anderew. â€Å"HCC Eagle Online: Login to the Site.† HCC Eagle Online: Login to the Site. N.p., n.d. Web. 25 Jan. 2014.